| It's stunning to look at, with Melpomene Katakalos' branch-strewn, rough-wood platform of a set |
| and its corrugated metal frames bathed in the sumptuous glows of Jarrod Fischer's lights. |
| -Robert Hurwitt, San Francisco Chronicle |
| Melpomone Katakalos simple vision—a steel strip of blue above the stage and a green one below - |
| evokes a landscape drawn by a crayon-clutching child, a touching and apropos complement to an |
| exploration of youthful imagination. |
| -Robert Bergin, Daily Californian |
| Melpomene Katakalos’ set creates a verdant universe out of wooden planks and corrugated steel. |
| -Karen D’Souza, San Jose Mercury News |
| Anna Bella Eema |
| by Lisa D'Amour |
| Director: Rbecca Novick |
Crowded Fire, San Francisco, 2007 |
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