| Minadakis' dramatic pacing is sure-handed, and he creates fine stage pictures with the play of Kurt |
| Landisman's season-shifting lights on Melpomene Katakalos' evocative set -- a single bed and chair |
| floating in the open space beneath a spreading tree. |
| -Robert Hurwitt, San Francisco Chronicle |
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| Melpomene Katakalos has created a marvelous set with a spreading tree on the left side dominating |
| the stage. Kurt Landisman beautifully lights the tree to change from spring to fall to winter. |
| -Richard Connema, Talkin’ Broadway |
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| The set projects a timeless rusticity - emphasized by Kurt Landisman's muted lighting - |
| a welcome departure from the expected interiors of Ruby's apartment, an assisted-care facility |
| and the final stop at Hospice. |
| -Charles Brousse, Marin Independent Journal |