| Nicholson gives a taut, smartly orchestrated staging on Melpomene Katakalos' |
| recycled-junk-buildings set. The pallet-circuit board walls and plastic-bottle windows are |
| visual echoes of the language and lore of Junk City, cobbled together from ancient shards |
| of late 20th century pop culture, syntax and religious and political fundamentalism. |
- Robert Hurwitt, San Francisco Chronicle |
| The Listener |
| by Liz Duffy Adams |
| Director: Kent Nicholson |
Crowded Fire, San Francisco, 2008 |
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