| The minimalism is as deceptive as Brecht's seemingly simple tale is complex. |
| Melpomene Katakalos' set makes stunning use of a few movable screens, |
| rippling bands of silk and a large disc that fades from fiery red to moonlight blue |
| in Christopher Studley's lighting. |
| -Robert Hurwitt, San Francisco Chronicle |
| The Caucasion Chalk Circle |
| by Bertolt Brecht |
| Director: Mark Jackson |
| ACT Conservatory, San Francisco, 2005 |
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